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The grammar of suffering of the blackness is NOT one that can be defined through Marxist understandings of “exploitation” and “alienation” but rather “accumulation” and “fungibility”. The positionality of blackness is an unspeakable scandal, one that is outside the bounds of hegemony itself, that gives the position of the worker coherence.

Wilderson 3 [Frank B. Wilderson III is American writer, dramatist, filmmaker and critic. He is a full professor of Drama and African American studies at the University of California, Irvine. He received his BA in government and philosophy from Dartmouth College, his Masters in Fine Arts from Columbia University and his PhD in Rhetoric and Film Studies from the University of California, Berkeley award-winning author of Incognegro, “THE PRISON SLAVE AS HEGEMONY’S (SILENT) SCANDAL”, Accessed: 3/31/23] HZaidi

(3) We begin to see how Marxism suffers from a kind of conceptual anxiety. There is a desire for socialism on the other side of crisis, a society that does away not with the category of worker, but with the imposition workers suffer under the approach of variable capital. In other words, the mark of its conceptual anxiety is in its desire to democratize work and thus help to keep in place and insure the coherence of Reformation and Enlightenment foundational values of productivity and progress. This scenario crowds out other postrevolutionary possibilities, i.e., idleness. The scandal, with which the Black subject position “threatens” Gramscian and coalition discourse, is manifest in the Black subject’s incommensurability with, or disarticulation of, Gramscian categories: work, progress, production, exploitation, hegemony, and historical self-awareness. Through what strategies does the Black subject destabilize—emerge as the unthought, and thus the scandal of—historical materialism? How does the Black subject function within the “American desiring machine” differently than the quintessential Gramscian subaltern, the worker? Capital was kick-started by the rape of the African continent, a phenomenon that is central to neither Gramsci nor Marx. According to Barrett (2002), something about the Black body in and of itself made it the repository of the violence that was the slave trade. It would have been far easier and far more profitable to take the white underclass from along the riverbanks of England and Western Europe than to travel all the way to Africa for slaves. The theoretical importance of emphasizing this in the early 21st century is twofold. First, capital was kick-started by approaching a particular body (a black body) with direct relations of force, not by approaching a white body with variable capital. Thus, one could say that slavery is closer to capital’s primal desire than is exploitation. It is a relation of terror as opposed to a relation of hegemony. Second, today, late capital is imposing a renaissance of this original desire, the direct relation of force, the despotism of the unwaged relation. This renaissance of slavery, i.e., the reconfiguration of the prison-industrial complex has, once again, as its structuring metaphor and primary target the Black body. The value of reintroducing the unthought category of the slave, by way of noting the absence of the Black subject, lies in the Black subject’s potential for extending the demand placed on state/ capital formations because its reintroduction into the discourse expands the intensity of the antagonism. In other words, the positionality of the slave makes a demand that is in excess of the demand made by the positionality of the worker. The worker demands that productivity be fair and democratic (Gramsci’s new hegemony, Lenin’s dictatorship of the proletariat, in a word, socialism). In contrast, the slave demands that production stop, without recourse to its ultimate democratization. Work is not an organic principle for the slave. The absence of Black subjectivity from the crux of radical discourse is symptomatic of the text’s inability to cope with the possibility that the generative subject of capitalism, the Black body of the 15th and 16th centuries, and the generative subject that resolves late capital’s over-accumulation crisis, the Black (incarcerated) body of the 20th and 21st centuries, do not reify the basic categories that structure conflict within civil society: the categories of work and exploitation. Thus, the Black subject position in America represents an antagonism or demand that cannot be satisfied through a transfer of ownership/organization of existing rubrics. In contrast, the Gramscian subject, the worker, represents a demand that can indeed be satisfied by way of a successful war of position, which brings about the end of exploitation. The worker calls into question the legitimacy of productive practices, while the slave calls into question the legitimacy of productivity itself. Thus, the insatiability of the slave demand upon existing structures means that it cannot find its articulation within the modality of hegemony (influence, leadership, consent). The Black body cannot give its consent because “generalized trust,” the precondition for the solicitation of consent, “equals racialized whiteness” (Barrett, 2002). Furthermore, as Orlando Patterson (1982) points out, slavery is natal alienation by way of social death, which is to say, a slave has no symbolic currency or material labor power to exchange. A slave does not enter into a transaction of value (however asymmetrical), but is subsumed by direct relations of force. As such, a slave is an articulation of a despotic irrationality, whereas the worker is an articulation of a symbolic rationality. A metaphor comes into being through a violence that kills the thing such that the concept might live. Gramscian discourse and coalition politics come to grips with America’s structuring rationality—what it calls capitalism, or political economy— but not with its structuring irrationality, the anti-production of late capital, and the hyper-discursive violence that first kills the Black subject, so that the concept may be born. In other words, from the incoherence of Black death, America generates the coherence of white life. This is important when thinking the Gramscian paradigm and their spiritual progenitors in the world of organizing in the U.S. today, with their overvaluation of hegemony and civil society. Struggles over hegemony are seldom, if ever, asignifying. At some point, they require coherence and categories for the record, meaning they contain the seeds of anti Blackness. What does it mean to be positioned not as a positive term in the struggle for anti- capitalist hegemony, i.e., a worker, but to be positioned in excess of hegemony, to be a catalyst that disarticulates the rubric of hegemony, to be a scandal to its assumptive, foundational logic, to threaten civil society’s discursive integrity? In White Writing, J.M. Coetzee (1988) examines the literature of Europeans who encountered the South African Khoisan in the Cape between the 16th and 18th centuries. The Europeans were faced with an “anthropological scandal”: a being without (recognizable) customs, religion, medicine, dietary patterns, culinary habits, sexual mores, means of agriculture, and most significantly, without character (because, according to the literature, they did not work). Other Africans, like the Xhosa who were agriculturalists, provided European discourse with enough categories for the record, so that, through various strategies of articulation, they could be known by textual projects that accompanied the colonial project. But the Khoisan did not produce the necessary categories for the record, the play of signifiers that would allow for a sustainable semiotics. According to Coetzee, the coherence of European discourse depends upon two structuring axes. A “Historical Axis” consists of codes distributed along the axis of temporality and events, while the “Anthropological Axis” is an axis of cultural codes. It mattered very little which codes on either axis a particular indigenous community was perceived to possess, with possession the operative word, for these codes act as a kind of mutually agreed-upon currency. What matters is that the community has some play of difference along both axes, sufficient in number to construct taxonomies that can be investigated, identified, and named by the discourse. Without this, the discourse cannot go on. It is reinvigorated when an unknown entity presents itself, but its anxiety reaches crisis proportions when the entity remains unknown. Something unspeakable occurs. Not to possess a particular code along the Anthropological or Historical Axis is akin to lacking a gene for brown hair or green eyes on an X or Y chromosome. Lacking a Historical or Anthropological Axis is akin to the absence of the chromosome itself. The first predicament raises the notion: What kind of human? The second predicament brings into crisis the notion of the human itself. Without the textual categories of dress, diet, medicine, crafts, physical appearance, and most important, work, the Khoisan stood in refusal of the invitation to become Anthropological Man. S/he was the void in discourse that could only be designated as idleness. Thus, the Khoisan’s status within discourse was not that of an opponent or an interlocutor, but rather of an unspeakable scandal. His/her position within the discourse was one of disarticulation, for he/she did little or nothing to fortify and extend the interlocutory life of the discourse. Just as the Khoisan presented the discourse of the Cape with an anthropological scandal, so the Black subject in the Western Hemisphere, the slave, presents Marxism and American textual practice with a historical scandal. How is our incoherence in the face of the Historical Axis germane to our experience of being “a phenomenon without analog”? A sample list of codes mapped out by an American subject’s historical axis might include rights or entitlements; here even Native Americans provide categories for the record when one thinks of how the Iroquois constitution, for example, becomes the U.S. constitution. Sovereignty is also included, whether a state is one the subject left behind, or as in the case of American Indians, one taken by force and dint of broken treaties. White supremacy has made good use of the Indian subject’s positionality, one that fortifies and extends the interlocutory life of America as a coherent (albeit imperial) idea because treaties are forms of articulation—discussions brokered between two groups are presumed to possess the same category of historical currency, sovereignty. The code of sovereignty can have a past and future history, if you will excuse the oxymoron, when one considers that 150 Native American tribes have applied to the Bureau of Indian Affairs for sovereign recognition so that they might qualify for funds harvested from land stolen from them.1 Immigration is another code that maps the subject onto the American Historical Axis, with narratives of arrival based on collective volition and premeditated desire. Chicano subject positions can fortify and extend the interlocutory life of America as an idea because racial conflict can be articulated across the various contestations over the legitimacy of arrival, immigration. Both whites and Latinos generate data for this category. Slavery is the great leveler of the Black subject’s positionality. The Black American subject does not generate historical categories of entitlement, sovereignty, and immigration for the record. We are “off the map” with respect to the cartography that charts civil society’s semiotics; we have a past, but not a heritage. To the data-generating demands of the Historical Axis, we present a virtual blank, much like that which the Khoisan presented to the Anthropological Axis. This places us in a structurally impossible position, one that is outside the articulations of hegemony. However, it also places hegemony in a structurally impossible position because—and this is key—our presence works back upon the grammar of hegemony and threatens it with incoherence. If every subject—even the most massacred among them, Indians—is required to have analogs within the nation’s structuring narrative, and the experience of one subject, upon whom the nation’s order of wealth was built, is without analog, then that subject’s presence destabilizes all other analogs.

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